Tony Sweet – My Iceland Workshop 2012

Tony Sweet

We will cover:

    1. fantasy locations
    2. striking architecture in Rekyjavik
    3. long exposure opportunities
    4. creative compositions
    5. illustrations of the vastness of Iceland using scale
    6. Software pre-visualized images
    7. and whatever presents itself during our wanderings!

Aside from the remarkable landscape of Iceland, we also have various very interesting and uniquely Icelandic structures that are really fun to photograph and to include in this incredible landscape.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The hillsides on the southeast coast are like something out of a fantasy movie, like Harry Potter. But, the size is only perceptible when this small shack is placed in the foreground.

One of the coolest new structures in Reykjavik is the Harpa Fine Art Center. Aside from the interesting small monoliths outside, we are allowed the shoot inside with tripods where the light play is fantastic!


When shooting this very cool small Icelandic church, the rain became a bit much to deal with. After returning to the vehicle, one of the windows was covered with heavy water drops. We all took turns shooting various versions of this image. Afterwards, the image was optimized using Nik Color Efex Pro 4, including the addition of the graduated blue filter.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Composition is always paramount in image creation. Many of the farms have their own sanctuaries. In this case, the opening was used to frame the structure, more dramatically pulling the viewer into the picture space.

I am a huge fan of long exposures, especially in bright conditions. The thermal power plant gave a perfect opportunity to use my 10 stop neutral density filter to achieve a 10 second exposure to create the surreal look of the steam against the blue sky.

The vastness of Iceland is perfect for illustrating a sense of scale and the small blue farm house was the perfect juxtaposition color-wise and scale-wise. I waited for the shadow, created by the setting sun, to get low enough to balance the composition.

Then, there’s always just driving around to see what presents itself. On a post workshop trip up the west coast, Sue and I came across a small fishing village. Upon driving down a ramp to get to the dock, we looked back and saw this unbelievable scene! We photographed this in subdued light as the sun rose, lighting the house and the rocky shoreline, leaving the background hill in the shade for the greatest visual interest.

This street scene in Reykjavik was of interest to me during both of our visits and I finally decided to create an HDR stitched pan to get the look I was after. Later, optimizing with Nik Software, Lucis Pro, and Flypaper textures to finish off the image.

As you can see, this is just the tip of the iceberg, so to speak!

During our August workshop, we will be on the look out for:

  1. fantasy locations
  2. striking architecture in Rekyjavik
  3. long exposure opportunities
  4. creative compositions
  5. illustrations of the vastness of Iceland using scale
  6. Software pre-visualized images
  7. and whatever presents itself during our wanderings!

We look forward to sharing our favorite photography location on earth during our August 19-25 workshop.

- Tony Sweet -

More information and booking here.

Only couple of places left.

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